updated 6/2/06 (Finally!)I have now included a new page of the track sheets
from some of my more recent road tapes, for those who are curious about
finding some good new music or finding out what I listen to on the road. Those
are good songs. This is a list of good albums.
| ARTIST | ALBUM | LABEL | YEAR | COMMENTS | NEW | GUAR |
| Archie Fisher | Will Ye Gang Love | Green Linnet | 1976 | Best of his many albums. Wonderful Scottish ballad singer, rich voice and guitar with some nice backup. He has made some other great recordings, including "Man With a Rhyme" but this one really shines and you can play it all day. | ||
| Big Mama Thornton | Ball N' Chain | Arhoolie | Her version of "Hound Dog" inspired Elvis's, and she obviously was Janis Joplin's touchstone, though it's amazing that someone this good is not a household word. "My Heavy Load," with Fred McDowell on slide should have been on that spaceship we sent up to communicate with other solar systems. Unlike a lot of great singers who never got the band they deserved, the work that Buddy Guy and Sonny Boy Williamson and Muddy Waters do here is also amazing, though it's still her show. | X | ||
| Christopher Parkening | Parkening Plays Bach | Angel | 1972? | Peerless classical solo guitar. I bought this in high school and still listen to it. The CD has some bonus tracks that were not on the LP I have. If you are a guitarist, watch out, because there are a few overdubbed parts on 2-3 songs that are not listed in the liner notes. It's unfair to have to listen to 2 guitars thinking it is one guitar, since he's so good it's beleivable that it is just one guitar. Did I say that right? | ||
| Conway Twitty | Conway Twitty's Greatest Hits Vol I | MCA | 1972 | Even if you think you don't like country or Conway, this one is awesome from start to finish. I am not wild about any of his other albums. A very soulful album I have had since 1974 and recently found on CD. | ||
| Dave Alvin | Blackjack David | Hightone | 1998 | Former singer of the Blasters, this is a very folk, almost traditional-flavored gem. The recording quality is stunning, and Alvin's voice is as rich as they get. I think it got a Grammy a couple years back, and deserved it. | ||
| Dave Mallett | Inches and Miles | Flying Fish | 1976 | A re-release of his 1st 2 albums, and a gem of folk singer-songwriter vein. Great storyteller and singer. He is still writing and performing good stuff, but this one is magical. | ||
| David Francey | Torn Screen Door | Laker Music | 1999 | My favorite songwriter since John Prine, whom I first heard in 1972. This album is all new songs, but has a very traditional folk feel. David has an uncanny sense of melody, word rhythm, and can't write a corny line if he tried. And he writes about what he knows and sees, which is refreshing also. I recorded the title cut myself, and plan to do another of his songs on my next CD. His 2nd CD belongs in this list also-- it's called "Far End of Summer" and is also brilliant. Look him up at http://www.davidfrancey.com | ||
| David Wiffen | Coast To Coast Fever | EMI Canada | 1994 on CD (1972 on LP) | Among my all-time favorite songwriter albums, and findable on CD after many periods of being out of print. His smoky, supple & mesmerizing voice should have made him famous, and though a few of his songs have become classics (Drivin' Wheel ) he has lived in obscurity for decades. Bruce Cockburn produced this record and played some great stuff on it also. | X | * |
| Dick Gaughan | Handful of Earth | Topic | 1989? | Scottish guitarist and traditional singer. Perhaps my favorite singer of all time, and one of the unique, powerful and unforgettable voices of the world. Recently available on CD in US. He has a 30 year history and a lot of albums, most of which are good and hard to find, though this one is my favorite all-around, and suggestion as an introduction to the man. | ||
| Dinu Lipatti | Bach /Mozart /Scarlatti | EMI | 1951 | This guy was the great lost genius of classical piano. He had a touch and a tone that stand out in a field crowded with talent. He died tragically, and did not record very much, but what there is, we savor. Once you hear him do a piece, you can't be happy with any other version. It's such a shame he was with us for such a short time, and that so few have ever heard of him. | ||
| Doc Watson | On Stage | Vanguard | 1974 | A live double-album of Doc and Merle. Incredible singing, picking. A must listen for any acoustic guitar picker. One the recordings that shaped my musical world, and one of the great works of American minstrelsy and guitar picking. Doc is my hero. | ||
| Eric Clapton | Just One Night | Polydor | 1980 | A double-CD, recorded live in Japan with Albert Lee on 2nd guitar trading solos with Eric. Every cut on both CD's is great. One of the best rock and roll albums I ever heard, and much better I think than his best-selling stuff. | ||
| Jackson Browne | Late For The Sky | Elektra/Asylum | 1974 | This album is 25 years old, and still sounds as fresh and new as most things. His songwriting, plaintive and powerful vocals, the sound quality, and David Lindley's guitar, lap steel and fiddle work are endlessly moving. I also like his early album "For Everyman." | ||
| Janos Starker | JS Bach: Suites for Unaccompanied Cello | Philips | 1965? | Possibly my favorite album of all time. Blows away all other recordings of the cello suites. There is also a version of the same music on Mercury, which has some other Bach sonatas on it that are very nice also. Worth working to find. Either one is great, though I think I like the Philips better for the cello suites. Yo Yo Ma is not fit to shine this guy's shoes on cello. Compare their versions. I dare you. | ||
| Janos Starker | The Starker Encore Album | Denon | 1992 | Another fine CD from the master cellist of our time. He won a grammy a couple years ago, so they are re-issuing a lot of his work, and almost all of it is great. His technique and tone surpass anything I have heard, and I find his passion equally outstanding. All other cellists sound wimpy compared to him. | ||
| Jennifer Warnes | Famous Blue Raincoat | Cypress | 1986 | An ungodly beautiful voice, great production & sound quality, all Leonard Cohen songs. All songs but one are great. | ||
| Jerry Read Smith | The Strayaway Child | Song of the Wood | 1980 | Instrumental, American/Celtic, features hammered dulcimer, with various guitar, fiddle, whistle, etc as backup. A classic. The guy has such a touch and such grace. Hard to find. Try calling 704-669-7675 in North Carolina. Apparently is 1st of a trilogy of albums I don't have. | ||
| John Jorgenson | Franco American Swing | Pharoah | 2004 | Jorgenson is a guitar god in many categories (Desert Rose Band, Hellecasters, etc. etc. ) but his main thing is Django-style gypsy jazz. His compositions ring as true as the old stuff, and his virtuosic guitar work is always happy and swinging, and never self-indulgent. His command of the guitar is staggering, and he uses his powers only for good, and never plays throwaway riffs and such. Rarely is awe-inspiring technique so well packaged amid pleasant and listenable music. A perfect CD for a party. | X | * |
| John Renbourn | The Lady and the Unicorn | Shanachie | 1974? | Traditional English instrumental music, mostly solo guitar but some viola + flute. Lovely. Recently re-released on Shanachie in US. He's done a lot of nice things, but this one shines throughout. | ||
| John Williams | The Baroque Album | CBS | 1988 | Excellent classical guitar. You usually can't tell one classical guitar player from another, but John has a fire and a tone that stand out. He's always been my favorite classical player, though I am not so wild about his Brazilian explorations. His version of the Rodrigo Concerto di Aranjuez (not on this disc) wails like no other. | ||
| Johnny Winter | Third Degree | Alligator | 1986 | Scorching roadhouse rock & roll and blues. Johnny has made some good discs, and done a lot of the same old jamming crap. but this one makes your hair stand up from beginning to end. Some of the best bluesy rock and roll ever recorded. CD "Scorching the Blues" is also good, but not as uniformly & totally as this one. | ||
| Kelly Jo Phelps | Lead Me On | Burnside | 1994 | I prefer this one in rotation on a multi-disc changer, since all the songs sound the same. Lap-style blues slide guitar and very soulful singing. Does not sound like anybody I ever heard, but a great sound. He's from Oregon. | ||
| Laurie Lewis | Love Chooses You | Flying Fish | 1989 | Laurie is brilliant fiddler, songwriter and singer, and always has a good band. This is my favorite of her many good albums, though it may be out of print now. Great production, picking and harmony singing. | ||
| Leslie Smith | These Things Wrapped | Waterbug | 1995 | One of the best of the recent singer-songwriter CD's. I never get tired of this one. Great writing, great voice, nice arrangements and production, all songs great, a very compelling album. Very hard to find. I don't think she tours and may have dropped out of music. | * | |
| Lori Rasmussen | The Dawning Of The Day | Lorelei Music | 1995 | My favorite harp celtic CD ever. Simple, not flashy mostly solo, with some viola and cello on a few tracks. Beautifully played, and the best miking quality I ever heard on a harp. And it is SO in tune. Even if you think you don't like celtic harp or harp in general, this is a gem. It may be hard to find. | X | * |
| Michael Jerome Brown | Drive On | Borealis (Canada) | 2001 | This guy has got something special. He plays old time blues and slide guitar and banjo with fire and massive tone, and sings & writes as well as anyone. He's been nominated for tons of Canadian awards, but is an obscure guy outside the circles he moves in. I keep meaning to get all his records and I am dying to see him play. This album still blows my mind every time I hear it. | X | * |
| Mike Dowling | Swamp Dog Blues | Orchard | 2000 | Mike is a little-known master of the guitar, and he is equally at home in jazz,swing, Motown, delta blues and bluegrass. He knows his jazz chords inside out but can fingerpick Blind Blake as good an anybody, and his laid-back but snappy playing, ingenious & classy arrangements and warm vocals put him in the top of his class. He might get the sweetest slide guitar tone of anyone out of an old National guitar, which is saying something. He has made a number of great records, and s a brilliant live show, but this one is his masterpiece so far in my book. | X | * |
| Mountain Heart | Mountain Heart | Doobie Shea | 1999 | A great first album by a great new Bluegrass band. Every song is good, and the singing, picking and spirit are superlative. Let's hope they stay together and make some more of this stuff. | ||
| Nic Jones | Penguin Eggs | Topic | 1980 | Mysterious English ballad singer and voodoo guitarist- recorded in 1980 on Topic in England- recently available in US from Shanachie. His best work, and only one available in US I think. (I have 4 or 5 earlier LP's of his) To my mind this guy is the white Robert Johnson. His guitar playing and singing sound like 3 people, and his version of "Canadee-i-o" is one of the great recordings ever done by a guy with an acoustic guitar. He was badly injured almost 20 years ago in a car accident, and there will be no more Nic Jones recordings. | * | |
| Pat Donohue | Two Hand Band | Blue Sky | 1994 | Solo fingerstyle ragtime/swing guitar. Almost makes me ill to listen to it he's so good. From Minnesota. He plays guitar now on Prairie Home Companion show every week. Good singer/songwriter, too. Has 2 records out on Red House label I think and at least 2 or 3 other good one on this (his own) label. Pat is the greatest fingerpicker who ever lived, and a superb songwriter, singer, and a nice guy, too. Don't know how he does it, or why he is not worshipped world-wide. Don't ever miss a solo concert of his. | ||
| Patty Larkin | In The Square | Rounder? | 1990 | In my opinion, Patty is the finest of the modern female troubadours. Her profound and diverse writing, awesome guitar skills, incredible singing, brilliant sense of humor and rock-solid rhythm are unequalled by her peers. This is the only recording she has made that really shows her talents properly. A must-listen for any up and coming female songwriter. How anyone could make a record like this and not be a household word is a mystery. | ||
| Richard Shindell | Sparrow's Point | Shanachie | 1993 | Great folk-style songwriter, with rich voice, deep songs, and good production, one of the real talents of modern singer-sonwriterism. From NYC. His later albums are good also, but I am partial to this one as a brilliant and listenable album. | ||
| Robert Earl Keen | West Textures | Sugar Hill | ?? | This is a 1989 record, but I just got it. There is some great songwriting, and it holds up well under many listenings. He's a fine storytelling songwriter with a voice good enough to listen to but flawed enough to be authentic. Sort of Texas-flavored country/bluegrass production, not too slick. | ||
| Roy Buchanan | Roy Buchanan | Polydor | 1973 | Roy's 1st album- and a masterpiece of electric guitar. May be out of print, but worth a try. His recorded output is pretty sparse and unequal, but this is the best single CD to get. When he connects, like he does on several of the cuts here, including "The Messiah Will Come Again", it's the most emotional playing of any instrument by any musician I have ever heard. I bought this record when I was 17 and it blew me away (it actually kept me from playing electric guitar) and still does, maybe more than ever. I am sad I never got to hear him play, though he played for years in a dive in Maryland a couple miles from my family's house. My brother heard him. | ||
| Third Tyme Out | IIIrd Tyme Out | Rebel | 1991 | Their 1st album and so far my favorite, though they are never bad and are a great live band. This might be my favorite bluegrass album of all time, and I have been listening for 30 years to all sorts of bluegrass. Lonesome without being too hick. Great singing. Great everything. | ||
| Troublesome Creek | Fast As Time Can Take Me | County | 2005 | Absolutely the best old time string band CD I have ever heard. Not only are the fiddle and banjo fiery and exciting, but the song selection, vocals, driving energy and sound quality are as good as it gets. No scratchy, out of tune fiddling here. Both the male and female lead singers are great, and their harmonies are as good as a bluegrass band, with some nice arranging also. | X | * |
| Vern Gosdin | The Voice | BCH | 1999 | Maybe the best country album I have heard in 20 years. Incredible singing, and a great band, plus rich and imaginative production. All the songs are good, and 5 or 6 are all-time classics. Too bad for the country music lovers of America that the Nashville business establishment won't get behind music this good. | ||
| Vern Gosdin | Super Hits | Columbia | ?? | There is more than one Greatest Hits collection of Vern going around, and one that sounds like it is this one but isn't as good. I got this one in a discount bin at Wal-Mart. He sings old-fashioned country music with the most "been-there" voice there is, but with a slick, great modern production sound. "Chiseled in Stone" and "First Rodeo" are classics. He is George Jones' only competition, which is saying something. | ||
| Washington Phillips | Born to Preach the Gospel | Yazoo | 1991 | When they recorded all kinds of people on the street in the 1920's and 30's, they stumbled on some really unusual musicians, and none was any more unusual or compelling than this guy. They only recently found a photo of him, and found out what he was playing (a Dulceola). His voice is so plaintive and rough and sweet it cuts through you unforgettably. He is not really similar to anything you ever heard, whether blues or gospel, but he is a comfort in a crazy world, and his voice rings in my head. | ||
| William (Billy) Jackson | St Mungo: A Celtic Suite for Glasgow | Greentrax | 1990 | Found in Scotland. Recorded live with Glasgow symphony- an original work written and performed by harpist William (Billy) Jackson for celtic musicians and orchestra. It's a tour de force bridging the 2 worlds. The Glasgow symphony guys can fiddle just fine, and I can't think of a better example of something that merges celtic and classical music. There is another similar recording of the same sort called the Wellpark Suite, that is easier to find but I don't like it as much. This one is special. | * | |
| Willie Nelson + Ray Price | San Antonio Rose | Columbia | 1980 | By far the best of Willie's duet albums. Not a bad song on it. Incredible backup band-- Johnny Gimble, Paul English, Mickey Raphael, Buddy Emmons. Never got much press. Brilliant classic honky tonk country music-- some of the best stuff either of them (or anyone) has ever done in this genre. |
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